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Cavemen were better at drawing animals than modern artists

Cavemen were better at drawing animals than modern artists | Science News | Scoop.it
Prehistoric artists were better at portraying the walk of four-legged animals in their art than modern man, according to new research published December 5 in the open access journal PLoS ONE by Gabor Horvath and colleagues from Eotvos University (Budapest), Hungary.
Meryl Jaffe, PhD's comment, December 12, 2012 8:57 PM
Thank you for this article.
Sakis Koukouvis's comment, December 13, 2012 1:48 AM
You're welcome Meryl Jaffe :-)
Meryl Jaffe, PhD's comment, December 22, 2012 6:13 PM
Thanks Aldan for the visit and rescoop.
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Interested in the Arts? You're Probably More Altruistic.

Interested in the Arts? You're Probably More Altruistic. | Science News | Scoop.it
If you sing, dance, draw, or act -- and especially if you watch others do so -- you probably have an altruistic streak, according to a new study.
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Cave art appreciation opens ancient human minds to us

Cave art appreciation opens ancient human minds to us | Science News | Scoop.it

Of course, this is inevitably subjective; an attempt to read the minds of humans who lived tens of thousands of years ago from the scant markings they left behind - if they were from our species at all. But it's one of the few ways we have to start assembling hypotheses about prehistoric people's beliefs and culture, in the hope that we can one day test them with newer scientific techniques.

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Feather Finds Hint At Neandertal Art

Feather Finds Hint At Neandertal Art | Science News | Scoop.it

Neandertals may not have painted pictures on cave walls, but a new study proposes they had an artistic sensibility. These close Stone Age relatives of people regularly made personal and possibly ritual ornaments that included bird feathers.

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Cyborg makes art using seventh sense

Cyborg makes art using seventh sense | Science News | Scoop.it

Neil Harbisson can only see shades of grey. So his prosthetic eyepiece, which he calls an “eyeborg”, interprets the colours for him and translates them into sound. Harbisson’s art sounds like a kind of inverse synaesthesia. But where synaesthetes experience numbers or letters as colours or even “taste” words, for example, Harbisson’s art is down to a precise transposition of colour into sound frequencies. As a result, he is able to create facial portraits purely out of sound, and he can tell you that the colour of Mozart’s music is mostly yellow. Liz Else caught up with him at the TEDGlobal conference.

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